PISTOLS
JUBILEE - REVIEWS Sex
Pistols - Inland Invasion: 14th September 2002 Review
No. 1 Ah,
the Pistols back in California, when you think that two of them live here it is
really like their second homecoming show, however this was almost a loaded event.
A big punk festival in Devore, CA, representing 25 years of punk seems quite a
great idea although the deck was stacked in the more recent US punks favor.
I think Mike Ness of Social Distortions guitar said it all with its Orange County
sticker that they kept flashing on the giant video screen. This really was a generation
gap attempted to be brought together because of the shared terminology of a bunch
of bands that are dubbed punk. The UK only had the Pistols, the Buzzcocks and
the Damned in representation. California had only one from the 70s in X,
and the NY scene which you cant deny it of its importance had none. The
rest were 80s and 90s KROQ bands that leave you with a judgment call
as to whether they are punk or not. Oh by the way GBH doesnt count since
they are really just a metal band and shouldnt have been on the bill any
way. As
for the show each band would play their set and then the stage would turn and
the next band would play. The changeover for most of the bands was pretty smooth,
the average was just about five minutes. I
have to be honest being an old fuck I didnt have the patience for an entire
day of punk with a bunch of kids being punk so I showed
up later and only caught Bad Religion (jock rock), Social Distortion (good but
somewhat subdued and preachy), Offspring (FUCKING AWFUL, radio bullshit band..but
the kids love 'em, they are actually KROQs number 1 band) and finally the
Sex Pistols. There definitely was a percentage of kids there to see the younger
bands and actually left after Offsprin. It was weird that band really divided
the crowd, the kids going crazy and the older folks yelling obscenities at em.
The change over didnt help either as it took 20-25 minutes for the Pistols
to come on, not the best idea when people had been there for 12 hours. The
band did come on and launched into Bodies (ala 96 tour) probably a good call as
the crowd really lit up and forgot how tired they were. Next they went straight
into I Wanna Be Me which was great as that was left out in 96 . It
seemed that either Steve or Paul was having some sort of trouble maybe hearing
the monitors or something as Steve spent most of the night looking back at Paul
in fact during Wanna Be me all three players were huddled together
by the drum kit with John looking at them and remarking OOOooh Rock n roll.
Next up was Seventeen, then New York and No Feelings,
finally on Pretty Vacant the crowd started singing along. I got the
impression as opposed to the Crystal Palace gig this was the first time a lot
of the crowd was seeing the band and were more familiar with them as a T-shirt
band than their actual music. One
of the things I really enjoyed having seen them a few times before and actually
listening to like a hundred live shows was the looseness of the band that was
present also at the palace gig but not on the reunion tour. It was somewhere between
a gig at the 100 club and Zeebrugge as I have to speculate based on his performance
that John was enjoying quite a few spirits that night. He was animated in a jovial
way and added lyrics to most of the songs. OK
back to the rundown. Did You No Wrong went off well but then during
Belsen John got hit with a full beer to which afterwards he replied,
Theres some dopey asshole whose got more money than sense, if youre gonna
buy beers fucking drink em you wuss. Launching
into No Fun as a reply to the wanker he went on to add
Its people like you who dont know how to have fun.
On the next song Stepping Stone John ripped his shirt open and was
forced to ask for a safety pin which he jokingly declared an important part
of my punk apparel. When the band finished up with the next song Problems
John in typical alienating fashion called out MTV referring to them as Empty
Vessels and KROQ as Crock of shit radio. The
next song provided a moment of jabbing as well when he declared "Id
like to dedicate this song to the rock n roll hall of fame just as they
launched into Liar. John turned to a more humble sort after EMI
when he asked the crowd quite earnestly Did you get your moneys worth
referring to the day as a whole. Holidays In
The Sun was up next and features a lead from Steve we never would have heard
back in the day
VERY rock n roll but brilliant as always .The band as a whole
were playing really good in spite of any problems they might have been experiencing.
I mean to watch them it looked like they were having difficulty but it didnt
sound like it, except for a few bum notes here and there but those just make the
night interesting. They
finished up with God Save The Queen and then Anarchy to
which John tried to get the crowd into the sing along with Johnny part but I think
he actually tripped them up, as he was speaking when the crowd should have been
singing so they lost their place, even the band seemed to lose their place as
the song just sort of fell apart and then into a big rock ending..Oops
.They
left the stage after this with Johnny replying Im off for a cigarette
and a cup of coffee, let me know youre still around They
did come back shortly and before going into a great version of Silver Machine
Johnny said I like this, now all the wankers are going home we're coming
on strong..The teeny boppers have left the building which gave me the impression
they would have played longer had they been allowed to. I should note that Johnny
said during the song that hed like to thank all the other bands for letting
us on the bill. Quite out of character for Johnny Rotten I dare say..But that
was it, the song finished and the band left the stage followed by John who saw
a kid with a public image shirt and replied For him over there Ill
be back next week with PiL, so perhaps there is another reunion of sorts
in the works, who knows? All
in all this was a great gig, perhaps if this was your first introduction into
the Pistols you either got it or didnt just like back in the day, they were
never an easy pill to swallow. Its ironic as back in the day you might have
been too old to grasp the brilliance where as Saturday night in Devore some people
may have been too young too, its scary to think but possibly true. The Sex
Pistols were never neatly packaged (maybe came close on the 96 tour), but thats
what the punk kids today want. Theres a checklist of what this type of punk
band should be like and what this other one should be like, and the kids love
it that way. Im a crusty punk..Oh Im emo, yeah well Im hardcore,
Im old school, fuck all that. The Pistols thankfully continue to make sure
they are not on any list, they remain as original today as they were 26 years
ago, even pushing fifty. I had a blast and hope it ain't the last time I can say
that. Review
by Dino Everett Review
No. 2 This
was billed as the low dough show with a hefty 17 bands for only 35 dollars (plus
booking fee!) but inside it's a rip off. Nothing allowed into the venue, not
even water in plastic 500 mil bottles, because inside they want 3 dollars for
a small water, or a staggering 8 dollars for a pint of American lager... or 10
dollars for a pint of Heineken Lager. Wow. Never
mind, as we are hear to see the world's greatest punk band. Both The Damned and
The Buzzcocks do great short but sharp, 40 mins sets. Whereas the Crystal Palace
show was purely about the Pistols, the other bands here today have huge followings
in California. The
Pistols came on stage and were utterly fantastic. Even a very low sound coming
out of Steve Jones' guitar for the opener Bodies could not stop the power of the
song. The intent was clear, this was a greatest hits festival set with no filler.
John was full of sarcasm for the crowd and was winding them up big time but they
loved it. He got doused a couple of times but just coated the guys off as usual.
John was enjoying himself so much dancing that all his buttons fell off his shirt.
He asked for a safety pin and got a flood of offers in seconds. As
with the Palace gig, Glen again was more dressed up for the show than Steve and
Paul. The band were much tighter than Crystal Palace, although John forgot some
of the words again, but hey, who said punk rock was ever about being note for
note perfect. The
view looking back from the stage was amazing as all the fires at the back lit
up the skies. The anthems flew out one after the other: Pretty Vacant, Belsen,
Problems, EMI (featuring Paul Cook's fantastic drumming), Holidays, GSTQ, and
a blinding version of Anarchy with a mass singalong. The encore of Silver Machine
was great, even though John was not really interested in doing much vocals to
it! All in all, what a fantastic show! Review
by Ray Morrissey Pistols
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