"So
your Mummies and Daddies let you come to see us
" sneered Johnny to
his audience slouched in faded crimson cinema seats, " WELL GET OFF YOUR
FUCKING ARSES --- AND FUCKING DANCE!" In a gloomy side aisle the youthful
Steve Strange commenced a desultory pogo throttling his mate as the Pistols slammed
into their next song / the front rows gathered to pose menacingly before the low
stage. Early
December 1976 the Anarchy Tour was in ruins after the Rank Organisation reneged
on the venue contract - in direct consequence to the Pistols' tea-time television
exposure. Unperturbed by Cardiff's Top Rank cancellation, local promoter Andy
Walton hastily rearranged the Anarchy gig a few miles out of town at Caerphilly's
Castle Cinema - a privately owned venue he'd previously used for small-scale Welsh
bands. Led by churchmen and town councillors, a heated campaign in the South Wales
Echo to ban the concert ensued - but the gig survived, thanks in no small measure
to the Castle Cinema's elderly lady owner who refused to be bullied by Caerphilly's
worthies. Like
a scene from a spaghetti western - the little valleys market town braced itself
for the arrival of riotous punk hordes. No chance of a pre-gig pint - all pub
doors were locked and windows boarded up in anticipation of mayhem / hastily scrawled
signs directed regulars to back door entrances. Having
survived a gauntlet of demonstrating carol singers, the few who turned up to the
1930s white-painted Cinema shivered in a ragged queue. From the opposite car park
- against the backdrop of Caerphilly's ruined 13th century castle, a vengeful
Pentecostal preacher spat fire and brimstone - threatening eternal damnation to
those who dared watch the spawn of Satan. Willing
to shell out a few quid for a Tour t-shirt or poster? No chance - no promotional
stalls were to be found in the Cinema foyer! Valleys punks and the curious gathered
themselves in the cinema's front seven rows - row upon row of empty seats tiered
to the back of the unheated seedy auditorium, a more cautious few made it to the
safety of the upstairs balcony. A subdued buzz preceded the Clash setting up:
in marked contrast to the anticipated mayhem, everyone was exceedingly well behaved
- these were the days before appreciative gobbing. Punk garb was in rare evidence
- some zips and safety pins, some graffitied (Army and Navy Store surplus) fatigue
jackets, definitely no mohicans
but one exotic Merthyr punkette in black
plastic trousers and pink t-shirt. One,
Two Three, Four! / a gob to the left from Paul Simonon / a huge wave of abrasive
electric noise
the Clash opened the evening with a twenty minute rush of
three minutes songs. Strummer sported a hand stencilled Social Security £9.70
green shirt. Mick Jones displayed a 'Red Guard' armband - Simonon wielding his
Pollock paint dripped bass. Don't ask me what they sang, I couldn't make out any
lyrics with vocals barked like angry dogs
all delivered so much faster
than on their first album. The
Heartbreakers came on Second (the Damned of course had been thrown off the Tour).
Between each set, a DJ played dub reggae from the central aisle / in the interval
before the Pistols, I shared the Gents with Johnny Thunders - pissing next to
a legend! Thirty
years on - my strongest memories of the Sex Pistols performance was brain numbing
noise
and a clear sense of threat from the stage - never before or again
experienced at a concert. Dressed in a black bondage suit festooned with pins
and zips, Johnny Rotten shambled up to the microphone - and although he never
left the stage, his implied menace contravened any agreed barrier between performer
and audience. You felt any moment he might leap into the stalls and threaten physical
violence! Johnny was a mesmeric performer - in a class of his own / he commanded
attention. Between songs he leered from the microphone and abused, heckled and
threatened his audience. Songs were spat out with a vitriol that exceeded the
car park preaching. The Pistols set will have consisted of most of what was to
be Never Mind the Bollocks (Anarchy in the UK, Pretty Vacant
) and the early
Dolls / Stooges covers - but as with the Clash there were no Pistols recordings
to help identify what you were hearing! I
left the cinema as the Pistols went into their second encore - the last train
to Cardiff left around 10:30. My ears buzzed from the noise assault all through
the next day - it wasn't until a full thirty-six hours later that my hearing returned
to normal! No
nostalgia or boasting intended, but I still feel extremely fortunate to have participated
in this event
sitting in the sixth row of a small cinema experiencing the
Clash, Heartbreakers and Sex Pistols live for a mere £1.75! Dave
Smitham March 2006 |