Dog Day Afternoon
Crystal Palace Park 1st July 2023 Iggy Pop, Blondie, Generation Sex, Stiff Little Fingers, Buzzcocks, Lambrini Girls
|
Filthy
Lucre Tour 1996, Finsbury Park revisited. As soon as Dog Day Afternoon
was announced, I just had to be there. The similarities and links to
that historic day were striking. Three former Sex Pistols, Iggy Pop,
Stiff Little Fingers and Buzzcocks, together again on the same bill for
a full day festival under the sunny London sky.
Of course the
main protagonists from 1996, the Sex Pistols themselves are no longer
together as a band - that ship has sailed. What we did get was Steve
Jones and Paul Cook in Generation Sex and Glen Matlock in the legendary
Blondie.
It seems I wasn’t the only one who had realised the magnitude
of the day, the park was swamped with thousands of eager punters, it
can’t have been far short of a sell out. The park itself was more
rectangular than square, and a very long rectangle at that. It was a
very warm day and the big screens regularly reminded us to hydrate.
Sounds simple enough, unfortunately the trek to the water fountains at
the back was about half a mile and nigh on impossible to access due to
the masses descending on the nearby toilets. I got sunburnt as well but
that was my fault for being unprepared. Anyway, enough of the festival
gripes, what about the music?
The Lambrini Girls are a young, all girl 3 piece. They are
proudly punk rock, they make a decent racket, are vocal proponents of
woke ideology and, according to the on screen graphics, ‘suck dick’.
They are also keen on audience participation (not to suck dick, I
hasten to add) and were determined to seize the moment. I guess I’m a
dinosaur.
The
Buzzcocks, now just Steve Diggle and friends, gave us a mixture of old
classics and newer post-Shelley songs, the likes of Manchester Rain and
Senses Out Of Control giving validity to the current incarnation of the
band. I was unsure how Diggle would handle the squeaky Shelley tunes
but he’s surprisingly good, with Fast Cars, Orgasm Addict, Promises and
Ever Fallen In Love being particularly strong. Obviously they finished
with Harmony In My Head, the only classic single blessed with Diggle’s
lead vocal from way back in 1979. The crowd reaction said it all -
Buzzcocks did good.
Stiff Little Fingers’ stock has never
waned over the decades and as a live outfit they remain as popular as
ever. When they arrived on stage it felt as though the energy of the
day switched up a notch. Jake Burns said he would cut his usual
prattling and get on with the songs. If you’d never seen SLF before and
had a check list of songs you wanted to hear, you would have ticked 90%
of the boxes. My Dark Places, Jake’s admirable song about his
depression, was the only song you’d describe as a deep cut. From the
opening Tin Soldiers through to the closing Alternative Ulster, it was
one crowd pleaser after another. Jake took a moment to remember Terry
Hall before Doesn’t Make It Alright. It was a stark reminder of the
passing of time.
Next
up was a brand new outfit, whose constituent parts seemed somewhat
familiar; Generation Sex. On the face of it, the melding of Steve Jones
and Paul Cook with Billy Idol and Tony James of Generation X, seems,
well a bit unorthodox. A little wacky it may be, but it works. First
and foremost it’s got a feel good vibe running right through it. If it
wasn’t fun for the band they wouldn’t be doing it. They took to the
stage to a rapturous reception. Billy Idol looks in the mood and with
his permanent smirk and undeniable stage presence he struts around like
he’s on top of the world. Is he real or a caricature? If he is the
latter, there’s only one person he could be based on, and that’s Billy
Idol! He can also handle a song. The set opened with the unmistakable
refrain of Pretty Vacant and the party was up and running. Billy sang
in his own style, avoiding the pitfalls of straying into Lydon
territory. This could have proved more tricky with Bodies, but again
Billy’s intonation was purely Idol. Naturally the crowd went nuts for
this one. God Save The Queen completed the Never Mind The Bollocks
selection.
Generation Sex also allow us to enjoy not just Pistols tunes, but those
fabulous Generation X songs we never thought we’d hear live again.
They’ve some punk classics in their armoury; Ready Steady Go, Wild
Youth, King Rocker, Dancing With Myself, and best of all, one of the
greatest songs of the punk era, Kiss Me Deadly. Most Generation X songs
were fast, and original guitarist Derwood’s technique was perfect for
the task. Funnily enough, I recall asking Steve Jones about 20 years
ago who his favourite ‘punk’ guitarist was and he replied "Derwood".
It’s fair to deduce that Steve, and Steve alone, is the man capable of
delivering and enhancing these tunes with the necessary gusto.
The
remaining material was taken from the Cook ‘n’ Jones Swindle era. Black
Leather (featuring metal-esque guitar work), a wonderful Silly Thing,
and My Way, which closed proceedings. This was the highlight for me
with its display of band camaraderie. Tony James had a beaming smile
throughout the set, fooling around with Steve and swapping banter with
the band throughout: (Paul: “Now for some bollocks”. Tony: “Must be one
of yours then!”) It was, as it happened, Silly Thing! By the time My
Way was played Steve was busy teasing the audience, keeping us hanging
after the opening 60 seconds of the song, before eventually unleashing
his full on guitar chords, with Billy bellowing "regrets I’ve had a
few…". There were few regrets both on and off stage. Hats off to
Generation Sex.
Blondie
are as professional as they come. Regular tours and festival
appearances continue to delight generations, but today was just a
little bit extra special, it was Debbie Harry’s birthday. In recent
times, Glen Matlock has become a fixture in the band underpinning the
music with his rhythmic and adaptable bass lines. Blondie go down a
storm with dancing breaking out everywhere you looked. There’s no need
to list all the songs played but it’s a treat to hear Long Time from
the Pollinator album, what a song! Heart of Glass has undergone a
transformation since Glen joined and now concludes with a smidging of
Donna Summer followed by a short blast of God Save The Queen. Glen
enjoyed a huge cheer from the crowd during Debbie’s band introductions,
which, in my mind at least, fed neatly into the Finsbury Park 96 Part 2
spirit.
Like
Debbie, Iggy Pop is timeless. In my review of the Finsbury Park 96 show
I described Iggy’s performance as “inspirational”, referring to him
affectionately as an “old croc”. He was a mere 49. Almost 3 decades
later and age no longer defines Iggy. He stripped off his shirt during
the first song - the unforgiving big screens highlighting his wrinkled,
slightly twisted torso. This is what immortality looks like. The waves
of energy generated by his show engulfed Crystal Palace, the giant
transmitting station adjacent to the park ought to have broadcast this
raw power to the rest of the nation. Backed by a stunning set of
musicians, Iggy never let up, prowling the stage, cavorting, throwing
himself and his microphone around during an unforgettable 90 minutes.
If forced to pick out a highlight it would have to be I Wanna Be Your
Dog, Iggy and his band excelled themselves during this elongated
rendition. But then I’d be ignoring Raw Power, I’m Sick Of You,
Nightclubbing, new songs Modern Day Rip Off and Frenzy, and… well, the
entire set was incredible. Iggy tried to get staff to fix up some
stairs so he could go into the crowd and in turn, get punters onto the
stage. Unfortunately, they didn’t play ball which may have cost us a
finale of No Fun with customary stage invasion. It didn’t matter. It
was a privilege to witness. We are unlikely to see his kind again.
It was an unforgettable and unmissable day. Yes, it was the
closest event possible to that life changing day 27 years ago, but
more, much more than this…. it will go down in history as a legendary
day in its own right.
Now, where did I put the calamine lotion?
Phil
Singleton
|
Filthy
Lucre Finsbury Park 1996 >
©Phil
Singleton / www.sex-pistols.net 2023
All rights reserved. Not
to be
reproduced without permission.
God
Save
The Sex Pistols ©Phil Singleton /
www.sex-pistols.net 2023
|